![]() ![]() Flume said the track is about "feelings of post relationship clarity" and was written "midway through 2020 while the pandemic was still pretty new", although it was finished in early 2021. The video contains similar visuals to those Flume uploaded on his NFT website throughout 2021. Release and promotion įlume announced the album and its track listing on 2 February 2022, also releasing the song " Say Nothing" featuring May-a as the album's lead single and its music video the same day. According to Flume, the album was also influenced by late Scottish producer Sophie. He also made field recordings of birds, which are used throughout the album. ![]() Background and recording Īfter returning to Australia following the end of his world tour in support of Skin (2016) and Hi This Is Flume (2019), Flume moved to a coastal town in the Northern Rivers area of New South Wales, where he says he found "inspiration from the flora and fauna surrounding him". The album was nominated for Australian Album of the Year at the 2022 J Awards. Īt the 2022 ARIA Music Awards, the album earned Flume a nomination for ARIA Award for Best Solo Artist and album was nominated for Best Dance/Electronic Release, Best Cover Art, Best Produced Album and Best Mixed Album. The album was announced alongside the release of lead single " Say Nothing", featuring May-a. It includes collaborations with Oklou, May-a, Quiet Bison, Kučka, Laurel, Virgen María, Emma Louise, Caroline Polachek and Damon Albarn. As he told Apple Music about his choice of collaborators, “I want to find people who are doing something different and open to working with different sounds and unconventional beats-just open-minded people who have something to say.Palaces is the third studio album by Australian electronic musician Flume, released on through Future Classic. Wherever electronic music is right now, you can be sure that whatever Flume is cooking up in his studio is two steps ahead. On the 2019 mixtape Hi This Is Flume, he dusted off his most experimental beats yet while linking up with slowthai, SOPHIE and JPEGMAFIA. ![]() His twisted trap drums and spacious atmospheres proved the perfect foil for vocalists like Vic Mensa, Tove Lo and Little Dragon, leading to production work for Lorde and Vince Staples. With 2016’s Skin, he showed his growth with trickier beats and more innovative sound-sculpting, without forgetting about the importance of a perfect hook (exhibit A: “Never Be Like You”, with a swoon-worthy topline from the Toronto singer kai). Those head-nodding beats and hazy effects quickly became staples on chill playlists, but Flume was already lining up his next wave. The sedate vibe was the flip side of EDM’s peak-time energy, but his slippery synths and ribbon-like vocal edits showed kinship with dubstep a sound many would soon call “future bass” was born. The following year, his self-titled debut album established the outline of his nascent sound, pairing spring-loaded drum programming with dreamily chopped-up samples. A decade later, the deliriously laidback vibe of his debut single, “Sleepless”, got him signed to Australia’s Future Classic. In a way, it did crack a code: To see music’s inner workings laid bare came as a revelation to young Streten. The free gift wasn’t a secret decoder ring, but a CD with rudimentary production software. Streten got his start making music when he was 10 or 11, when his dad bought him a box of cereal. In the process, he helped pioneer a whole new dimension of chill. In the early 2010s, just as main-stage EDM was pushing tempos and decibels into the red, Flume-aka Harley Streten, born in 1991-went in the opposite direction, delving into hip-hop beats and airy synths. When he was just 20 years old, Sydney producer Flume leveraged his easygoing surfer attitude into single-handedly changing the course of electronic music’s evolution. ![]()
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